Homemade instruments, signal processing, and interactive electronics to create a closed-loop system for a human-insect encounter with rural space.
Author: Sean Clute
Winter is an audiovisual performance that incorporates hand-drawn animations, icicles, flannel, interactive video and sound.
Interactive sound installation in response to the violent language of localism and the semiotics of foreignness and invasion.
Noise aesthetics provide a framework for hearing the rural as a contemporary, active margin instead of a bucolic imaginary.
The features of rural musics across cultures are a product of the geographic realities of rural space as well as shared cultural representations of the rural.